My first post here showed a large and highly coloured first day cover for the 1964 definitives, very Burmese in its graphic style, by a maker unknown to me. Here’s another by the same hand that’s just reached me, this time for the 1963 issue for the first anniversary of the “Revolution”, or military assumption of power. The front parades Burma’s natural resources, while the whole of the reverse is illustrated with a panorama of landmarks. Interesting that the flag is not the national flag but the white star of the Tatmadaw, the armed forces. Condition isn’t perfect here, but what the heck.
Most images of the famed Inle Lake leg rowers show single rowers, but here we have a boat full, all lined up. The overarching female figure on the front at first suggested a Nat (spirit) to me, but the peacock head dress must indicate a national personification – a Mother Burma?
Something like a first day cover, I feel. This is for the Burma 1964 birds definitives, and not an official production. Privately created, but I don’t know the maker. It has just about everything I like in Burmese graphic design – primary colours, an elaborate sense of ceremony, and a strong sense of cultural identity. The large red Burmese numerals at each side are for “1” and “6” for the date, 16th April, and it ties in the date of issue with Thingyan, the Burmese New Year festival, when folks very sensibly abandon work and run around throwing water at each other. There’s a hint of improvisation too (a constant philatelic theme in Burma / Myanmar), given that the blank rectangles in the branches at right are far too small for the stamps they were intended to take. The cover is 10.5″ wide; if it was scaled down to this size, goodness knows how vast the original must have been.
These days, computer graphics programs are globalised, and some modern Myanmar first day covers have become a bit blanded out compared to this. I can’t think of a better way to kick off this blog.