It’s up to you, of course, but I’d think twice before parting with this sort of price for the latest Myanmar “rare” new issue. It was “rare” for exactly five days. Let me explain …
The two highest values of the new set – re-using the old musical instrument designs first seen in 1998 – came out normally in July. Then, without warning, Yangon GPO put on sale four more values, two for K200, two for K500, on 14 September. A few collectors were lucky enough to find out what was going on and make a few fdc’s. As soon as they posted about it on Facebook, the postal authorities had the sales halted. A simple misunderstanding – the instructions had been to distribute the new stamps to area post offices that day, not sell them.
The four new stamps disappeared from the GPO counter. Would they become rarities or not? Sadly, not. On the 19th post offices nationwide put them on regular sale. And thousands upon thousands are still available.
K200 or K500 is about – what? – the price of a coffee? Something like that. So beware speculative prices that hype up the “rarity” – soon these will be selling for next to nothing …
I don’t usually flag up new issues here, but, for once, why not?
Here’s the latest, two small format low values (500K counts as low these days) to honour the 23rd ASEAN Postal Business Meeting, hosted this year by Myanmar at Naypyitaw. These came out on the 21st, together with an official first day cover and a maximum card for each value, which seems to be the default current practice.
On the minus side, that’s too many items to service – four official covers and cards plus the privately produced covers. Why do we need a separate cover for each value?
On the plus side, these are neat, unpretentious little stamps that celebrate an actual occasion of political and postal significance, mundane though it may seem. Myanmar still produces and prints its own stamps. They commemorate real events, not collector-targeted themes. And stamps are still very widely used in Myanmar. And that’s all good. Long may it stay that way!
My first post here showed a large and highly coloured first day cover for the 1964 definitives, very Burmese in its graphic style, by a maker unknown to me. Here’s another by the same hand that’s just reached me, this time for the 1963 issue for the first anniversary of the “Revolution”, or military assumption of power. The front parades Burma’s natural resources, while the whole of the reverse is illustrated with a panorama of landmarks. Interesting that the flag is not the national flag but the white star of the Tatmadaw, the armed forces. Condition isn’t perfect here, but what the heck.
Most images of the famed Inle Lake leg rowers show single rowers, but here we have a boat full, all lined up. The overarching female figure on the front at first suggested a Nat (spirit) to me, but the peacock head dress must indicate a national personification – a Mother Burma?
Something like a first day cover, I feel. This is for the Burma 1964 birds definitives, and not an official production. Privately created, but I don’t know the maker. It has just about everything I like in Burmese graphic design – primary colours, an elaborate sense of ceremony, and a strong sense of cultural identity. The large red Burmese numerals at each side are for “1” and “6” for the date, 16th April, and it ties in the date of issue with Thingyan, the Burmese New Year festival, when folks very sensibly abandon work and run around throwing water at each other. There’s a hint of improvisation too (a constant philatelic theme in Burma / Myanmar), given that the blank rectangles in the branches at right are far too small for the stamps they were intended to take. The cover is 10.5″ wide; if it was scaled down to this size, goodness knows how vast the original must have been.
These days, computer graphics programs are globalised, and some modern Myanmar first day covers have become a bit blanded out compared to this. I can’t think of a better way to kick off this blog.